Pictures from The British Isles Depicted by Pen and Camera, “with thirty-nine coloured plates and six Rembrandt Photogravures” (Special Edition), published by Cassell and Company Ltd., London, Paris, New York and Melbourne.
The work is divided into three books, each of two sections; my copy is bound into six separate volumes, each containing one of the sections. The books are undated and could be anywhere from 1880 to 1905; the binding bears the date 1905. Books published in the US before 1923 are out of copyright.
The introduction is by Harold Spender, but there is no attribution for the main text.
Title: The British Isles
Published by: Cassell and Company, Limited
City: New York
Date: 1905
Total items: 16
Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.
Title Page, The British Isles (Vol 1)
“The British Isles
Depicted by pen and camera
With thirty-nine coloured plates and siz Rembrandt photogravures
Special Edition
Volume I.—Section I. [more...] [$]
“It is almost impossible for a Yorkshireman to write of York in anything but the language of enthusiasm. To him York is what Rome is to the Roman, Paris to the Parisian, Jerusalem to the Jew. London and Winchester may have charms for him if he be a student of history, but York in is opinion is the true capital of England. She was proud and imperial [...] [more...] [$]
Stocks at Stanton Harcourt (Sepia-Tinted Edition)
A “sepia-tinted photograph” version of The Stocks at Stanton Harcourt. [$]
Pictures from The British Isles Depicted by Pen and Camera, “with thirty-nine coloured plates and six Rembrandt Photogravures” (Special Edition), published by Cassell and Company Ltd., London, Paris, New York and Melbourne.
The work is divided into three books, each of two sections; my copy is bound into six separate volumes, each containing one of the sections. The books are undated and could be anywhere from 1880 to 1905; the binding bears the date 1905. Books published in the US before 1923 are out of copyright.
The introduction is by Harold Spender, but there is no attribution for the main text.
Note: If you got here from a search engine and don’t see what you were looking for, it might have moved onto a different page within this gallery.