451

The appearance of trees in the distance.

OF TREES.

What outlines are seen in trees at a distance against the sky which serves as their background?

The outlines of the ramification of trees, where they lie against the illuminated sky, display a form which more nearly approaches the spherical on proportion as they are remote, and the nearer they are the less they appear in this spherical form; as in the first tree a which, being near to the eye, displays the true form of its ramification; but this shows less in b and is altogether lost in c, where not merely the branches of the tree cannot be seen but the whole tree is distinguished with difficulty. Every object in shadow, of whatever form it may be, at a great distance appears to be spherical. And this occurs because, if it is a square body, at a very short distance it loses its angles, and a little farther off it loses still more of its smaller sides which remain. And thus before the whole is lost [to sight] the parts are lost, being smaller than the whole; as a man, who in such a distant position loses his legs, arms and head before [the mass of] his body, then the outlines of length are lost before those of breadth, and where they have become equal it would be a square if the angles remained; but as they are lost it is round.

[Footnote: The sketch No. 4, Pl. XXVIII, belongs to this passage.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

VII * X
Notebooks of Leonoardo da Vinci
VIII: Botany for Painters and Elements of Landscape Painting.
. . .
431,
432,
433,
434
A classification of trees according to their colours.
435
The proportions of light and shade in trees.
436,
437,
438,
439,
440
of the spectator.
441,
442,
443
The effects of morning light.
444,
445,
446,
447,
448
The effects of midday light.
449
The appearance of trees in the distance.
450,
451
The cast shadow of trees.
452
Light and shade on groups of trees.
453,
454,
455,
456,
457
On the treatment of light for landscapes.
458,
459,
460,
461,
462,
463,
464
On the treatment of light for views of towns.
465,
466,
467,
468,
469
The effect of wind on trees.
470,
471
. . .