148

Gradations of strength in the shadows.

THAT PORTION OF A BODY IN LIGHT AND SHADE WILL BE LEAST LUMINOUS WHICH IS SEEN UNDER THE LEAST AMOUNT OF LIGHT.

That part of the object which is marked m is in the highest light because it faces the window a d by the line a f; n is in the second grade because the light b d strikes it by the line b e; o is in the third grade, as the light falls on it from c d by the line c h; p is the lowest light but one as c d falls on it by the line d v; q is the deepest shadow for no light falls on it from any part of the window.

In proportion as c d goes into a d so will n r s be darker than m, and all the rest is space without shadow.

[Footnote: The diagram belonging to this chapter is No. 1 on Plate III. The letters a b e d and r are not reproduced in facsimile of the original, but have been replaced by ordinary type in the margin. 5-12. The original text of these lines is reproduced within the diagram.—Compare No 275.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

II * IV
Notebooks of Leonoardo da Vinci
III: Six books on Light and Shade.
. . .
General remarks.
128,
129
On the nature of light.
130,
131
The difference between light and lustre.
132,
133,
134,
135
The relations of luminous to illuminated bodies.
136
Experiments on the relation of light and shadow within a room.
137,
138,
139,
140
Light and shadow with regard to the position of the eye.
141,
142,
143,
144,
145
The law of the incidence of light.
146,
147
Gradations of strength in the shadows.
148,
149
light.
150,
151,
152
On the proportion of light and shade.
153,
154,
155,
156,
157
Definition of derived shadow.
158,
159
Different sorts of derived shadows.
160,
161,
162
On the relation of derived and primary shadow.
163,
164,
165
On the shape of derived shadows.
166,
167,
168
. . .