85

Demomstration of perspective by means of a vertical glass plane.

[figure][figure]

PERSPECTIVE.

The vertical plane is a perpendicular line, imagined as in front of the central point where the apex of the pyramids converge. And this plane bears the same relation to this point as a plane of glass would, through which you might see the various objects and draw them on it. And the objects thus drawn would be smaller than the originals, in proportion as the distance between the glass and the eye was smaller than that between the glass and the objects.

PERSPECTIVE.

The different converging pyramids produced by the objects, will show, on the plane, the various sizes and remoteness of the objects causing them.

PERSPECTIVE.

All those horizontal planes of which the extremes are met by perpendicular lines forming right angles, if they are of equal width the more they rise to the level of eye the less this is seen, and the more the eye is above them the more will their real width be seen.

PERSPECTIVE.

The farther a spherical body is from the eye the more you will see of it.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

84 * 86
I * III
Notebooks of Leonoardo da Vinci
II: Linear Perspective.
. . .
Proof by experiment.
65,
66
General conclusions.
67
That the contrary is impossible.
68
A parallel case.
69
The function of the eye as explained by the camera obscura.
70,
71
The practice of perspective.
72,
73
Refraction of the rays falling upon the eye.
74,
75
The inversion of the images.
76
The intersection of the rays.
77,
78,
79,
80,
81,
82
Demomstration of perspective by means of a vertical glass plane.
83,
84,
85
The angle of sight varies with the distance.
86,
87,
88
Opposite pyramids in juxtaposition.
89
On simple and complex perspective.
90
The proper distance of objects from the eye.
91,
92
eye.
93,
94,
95,
96,
97,
98
The apparent size of objects defined by calculation.
99,
100,
101,
102,
103,
104,
105
. . .