Leonardo’s researches as to the structure of the earth and sea were made at a time, when the extended voyages of the Spaniards and Portuguese had also excited a special interest in geographical questions in Italy, and particularly in Tuscany. Still, it need scarcely surprise us to find that in deeper questions, as to the structure of the globe, the primitive state of the earth’s surface, and the like, he was far in advance of his time.
The number of passages which treat of such matters is relatively considerable; like almost all Leonardo’s scientific notes they deal partly with theoretical and partly with practical questions. Some of his theoretical views of the motion of water were collected in a copied manuscript volume by an early transcriber, but without any acknowledgment of the source whence they were derived. This copy is now in the Library of the Barberini palace at Rome and was published under the title: “De moto e misura dell’acqua,” by FRANCESCO CARDINALI, Bologna 1828. In this work the texts are arranged under the following titles: Libr. I. Della spera dell’acqua; Libr. II. Del moto dell’acqua; Libr. III. Dell’onda dell’acqua; Libr. IV. Dei retrosi d’acqua; Libr. V. Dell’acqua cadente; Libr. VI. Delle rotture fatte dall’acqua; Libr. VII Delle cose portate dall’acqua; Libr. VIII. Dell’oncia dell’acqua e delle canne; Libr. IX. De molini e d’altri ordigni d’acqua.
The large number of isolated observations scattered through the manuscripts, accounts for our so frequently finding notes of new schemes for the arrangement of those relating to water and its motions, particularly in the Codex Atlanticus: I have printed several of these plans as an introduction to the Physical Geography, and I have actually arranged the texts in accordance with the clue afforded by one of them which is undoubtedly one of the latest notes referring to the subject (No. 920). The text given as No. 930 which is also taken from a late note-book of Leonardo’s, served as a basis for the arrangement of the first of the seven books—or sections—, bearing the title: Of the Nature of Water (Dell’acque in se).
As I have not made it any part of this undertaking to print the passages which refer to purely physical principles, it has also been necessary to exclude those practical researches which, in accordance with indications given in 920, ought to come in as Books 13, 14 and 15. I can only incidentally mention here that Leonardo—as it seems to me, especially in his youth—devoted a great deal of attention to the construction of mills. This is proved by a number of drawings of very careful and minute execution, which are to be found in the Codex Atlanticus. Nor was it possible to include his considerations on the regulation of rivers, the making of canals and so forth (No. 920, Books 10, 11 and 12); but those passages in which the structure of a canal is directly connected with notices of particular places will be found duly inserted under section XVII (Topographical notes). In Vol. I, No. 5 the text refers to canal-making in general.
On one point only can the collection of passages included under the general heading of Physical Geography claim to be complete. When comparing and sorting the materials for this work I took particular care not to exclude or omit any text in which a geographical name was mentioned even incidentally, since in all such researches the chief interest, as it appeared to me, attached to the question whether these acute observations on the various local characteristics of mountains, rivers or seas, had been made by Leonardo himself, and on the spot. It is self-evident that the few general and somewhat superficial observations on the Rhine and the Danube, on England and Flanders, must have been obtained from maps or from some informants, and in the case of Flanders Leonardo himself acknowledges this (see No. 1008). But that most of the other and more exact observations were made, on the spot, by Leonardo himself, may be safely assumed from their method and the style in which he writes of them; and we should bear it in mind that in all investigations, of whatever kind, experience is always spoken of as the only basis on which he relies. Incidentally, as in No. 984, he thinks it necessary to allude to the total absence of all recorded observations.
I.
INTRODUCTION.
Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.