607

Of representing the deluge.

TO REPRESENT THE DELUGE.

The air was darkened by the heavy rain whose oblique descent driven aslant by the rush of the winds, flew in drifts through the air not otherwise than as we see dust, varied only by the straight lines of the heavy drops of falling water. But it was tinged with the colour of the fire kindled by the thunder-bolts by which the clouds were rent and shattered; and whose flashes revealed the broad waters of the inundated valleys, above which was seen the verdure of the bending tree tops. Neptune will be seen in the midst of the water with his trident, and [15] let AEolus with his winds be shown entangling the trees floating uprooted, and whirling in the huge waves. The horizon and the whole hemisphere were obscure, but lurid from the flashes of the incessant lightning. Men and birds might be seen crowded on the tall trees which remained uncovered by the swelling waters, originators of the mountains which surround the great abysses [Footnote 23: Compare Vol. II. No. 979.].

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

VII * X
Notebooks of Leonoardo da Vinci
VIII: Botany for Painters and Elements of Landscape Painting.
. . .
587,
588,
589,
590,
591
How to pose figures.
592
Of appropriate gestures.
593,
594,
595,
596,
597,
598,
599,
600
Of painting battle pieces.
601,
602,
603
Of depicting night-scenes.
604
Of depicting a tempest.
605,
606
Of representing the deluge.
607,
608,
609
Of depicting natural phenomena.
610,
611
Of chalk and paper.
612,
613,
614,
615,
616,
617
On the preparation and use of colours.
618,
619,
620,
621,
622,
623,
624,
625,
626,
627
. . .