122

Definition of the nature of shadows.

OF THE NATURE OF SHADOW.

Shadow partakes of the nature of universal matter. All such matters are more powerful in their beginning and grow weaker towards the end, I say at the beginning, whatever their form or condition may be and whether visible or invisible. And it is not from small beginnings that they grow to a great size in time; as it might be a great oak which has a feeble beginning from a small acorn. Yet I may say that the oak is most powerful at its beginning, that is where it springs from the earth, which is where it is largest (To return:) Darkness, then, is the strongest degree of shadow and light is its least. Therefore, O Painter, make your shadow darkest close to the object that casts it, and make the end of it fading into light, seeming to have no end.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

II * IV
Notebooks of Leonoardo da Vinci
III: Six books on Light and Shade.
. . .
Prolegomena.
110
Scheme of the books on Light and shade.
111
Different principles and plans of treatment.
112,
113,
114,
115,
116
Different sorts of light.
117,
118
Definition of the nature of shadows.
119,
120,
121,
122
Of the various kinds of shadows..
123,
124,
125
Of the various kinds of light.
126,
127
General remarks.
128,
129
On the nature of light.
130,
131
The difference between light and lustre.
132,
133,
134,
135
The relations of luminous to illuminated bodies.
136
Experiments on the relation of light and shadow within a room.
137,
138,
139,
140
Light and shadow with regard to the position of the eye.
141,
142
. . .