210

Experiments with the mirror.

No man can see the image of another man in a mirror in its proper place with regard to the objects; because every object falls on [the surface of] the mirror at equal angles. And if the one man, who sees the other in the mirror, is not in a direct line with the image he will not see it in the place where it really falls; and if he gets into the line, he covers the other man and puts himself in the place occupied by his image. Let n o be the mirror, b the eye of your friend and d your own eye. Your friend’s eye will appear to you at a, and to him it will seem that yours is at c, and the intersection of the visual rays will occur at m, so that either of you touching m will touch the eye of the other man which shall be open. And if you touch the eye of the other man in the mirror it will seem to him that you are touching your own.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

II * IV
Notebooks of Leonoardo da Vinci
III: Six books on Light and Shade.
. . .
190,
191
On the outlines of cast shadows.
192,
193,
194,
195
On the relative size of shadows.
196,
197
Effects on cast shadows by the tone of the back ground.
198
A disputed proposition.
199
On the relative depth of cast shadows.
200,
201,
202
Principles of reflection.
203,
204
On reverberation.
205
Reflection on water.
206,
207
Experiments with the mirror.
208,
209,
210
Appendix:--On shadows in movement.
211,
212
The effect of rays passing through holes.
213,
214
On gradation of shadows.
215
On relative proportion of light and shadows.
216,
217,
218,
219,
220,
221
. . .