295

The rules of aerial perspective.

OF AERIAL PERSPECTIVE.

There is another kind of perspective which I call Aerial Perspective, because by the atmosphere we are able to distinguish the variations in distance of different buildings, which appear placed on a single line; as, for instance, when we see several buildings beyond a wall, all of which, as they appear above the top of the wall, look of the same size, while you wish to represent them in a picture as more remote one than another and to give the effect of a somewhat dense atmosphere. You know that in an atmosphere of equal density the remotest objects seen through it, as mountains, in consequence of the great quantity of atmosphere between your eye and them—appear blue and almost of the same hue as the atmosphere itself [Footnote 10: quado il sole e per leuante (when the sun is in the East). Apparently the author refers here to morning light in general. H. LUDWIG however translates this passage from the Vatican copy “wenn namlich die Sonne (dahinter) im Osten steht”.] when the sun is in the East [Footnote 11: See Footnote 10]. Hence you must make the nearest building above the wall of its real colour, but the more distant ones make less defined and bluer. Those you wish should look farthest away you must make proportionately bluer; thus, if one is to be five times as distant, make it five times bluer. And by this rule the buildings which above a [given] line appear of the same size, will plainly be distinguished as to which are the more remote and which larger than the others.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

V * VII
Notebooks of Leonoardo da Vinci
VI: ’Prospettiva de’ colri’ (Perspective of Colour)
General rules.
289,
290,
291
An exceptional case.
292
An experiment.
293
The practice of the prospettiva de colori.
294
The rules of aerial perspective.
295,
296,
297
On the relative density of the atmosphere.
298,
299
On the colour of the atmosphere.
300,
301,
302,
303,
304,
305,
306,
307
. . .