288

On the colours of the rainbow.

WHETHER THE COLOURS OF THE RAINBOW ARE PRODUCED BY THE SUN.

The colours of the rainbow are not produced by the sun, for they occur in many ways without the sunshine; as may be seen by holding a glass of water up to the eye; when, in the glass—where there are those minute bubbles always seen in coarse glass—each bubble, even though the sun does not fall on it, will produce on one side all the colours of the rainbow; as you may see by placing the glass between the day light and your eye in such a way as that it is close to the eye, while on one side the glass admits the [diffused] light of the atmosphere, and on the other side the shadow of the wall on one side of the window; either left or right, it matters not which. Then, by turning the glass round you will see these colours all round the bubbles in the glass &c. And the rest shall be said in its place.

THAT THE EYE HAS NO PART IN PRODUCING THE COLOURS OF THE RAINBOW.

In the experiment just described, the eye would seem to have some share in the colours of the rainbow, since these bubbles in the glass do not display the colours except through the medium of the eye. But, if you place the glass full of water on the window sill, in such a position as that the outer side is exposed to the sun’s rays, you will see the same colours produced in the spot of light thrown through the glass and upon the floor, in a dark place, below the window; and as the eye is not here concerned in it, we may evidently, and with certainty pronounce that the eye has no share in producing them.

OF THE COLOURS IN THE FEATHERS OF CERTAIN BIRDS.

There are many birds in various regions of the world on whose feathers we see the most splendid colours produced as they move, as we see in our own country in the feathers of peacocks or on the necks of ducks or pigeons, &c.

Again, on the surface of antique glass found underground and on the roots of turnips kept for some time at the bottom of wells or other stagnant waters [we see] that each root displays colours similar to those of the real rainbow. They may also be seen when oil has been placed on the top of water and in the solar rays reflected from the surface of a diamond or beryl; again, through the angular facet of a beryl every dark object against a background of the atmosphere or any thing else equally pale-coloured is surrounded by these rainbow colours between the atmosphere and the dark body; and in many other circumstances which I will not mention, as these suffice for my purpose.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

IV * VI
Notebooks of Leonoardo da Vinci
V: Theory of colours.
. . .
268,
269,
270,
271
Combination of different colours in cast shadows.
272
The effect of colours in the camera obscura.
273,
274
On the colours of derived shadows.
275,
276
On the nature of colours.
277,
278
On gradations in the depth of colours.
279,
280
On the reflection of colours.
281,
282,
283
On the use of dark and light colours in painting.
284,
285,
286
On the colours of the rainbow.
287,
288