809

On corpulency and leanness.

Make the rule and give the measurement of each muscle, and give the reasons of all their functions, and in which way they work and what makes them work &c.

[4] First draw the spine of the back; then clothe it by degrees, one after the other, with each of its muscles and put in the nerves and arteries and veins to each muscle by itself; and besides these note the vertebrae to which they are attached; which of the intestines come in contact with them; and which bones and other organs &c.

The most prominent parts of lean people are most prominent in the muscular, and equally so in fat persons. But concerning the difference in the forms of the muscles in fat persons as compared with muscular persons, it shall be described below.

[Footnote: The two drawings given on Pl. CVIII no. 1 come between lines 3 and 4. A good and very early copy of this drawing without the written text exists in the collection of drawings belonging to Christ’s College Oxford, where it is attributed to Leonardo.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

Notebooks of Leonoardo da Vinci
XIV: Anatomy, Zoology and Physiology.
. . .
A general introduction.
796
Plans and suggestions for the arrangement of materials.
797,
798,
799,
800,
801,
802
Plans for the representation of muscles by drawings.
803,
804,
805,
806,
807,
808
On corpulency and leanness.
809,
810,
811
The divisions of the head.
812,
813
Physiological problems.
814,
815
The divisions of the animal kingdom.
816,
817
Miscellaneous notes on the study of Zoology.
818,
819,
820,
821
muscles.
822,
823,
824,
825,
826
Comparative study of the organs of sense in men and animals.
827
Advantages in the structure of the eye in certain animals.
828,
829
. . .