15

The plan of the book on Painting.

ON PAINTING AND PERSPECTIVE.

The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of colour at long distances.

[Footnote: The division is here the same as in the previous chapter No. 14, and this is worthy of note when we connect it with the fact that a space of about 20 years must have intervened between the writing of the two passages.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

14 * 16
Notebooks of Leonoardo da Vinci
I: Prolegomena and General Introduction to the Book on Painting.
. . .
The author’s intention to publish his MSS.
1
The preparation of the MSS. for publication.
2
Admonition to readers.
3
The disorder in the MSS.
4
subjects..
5,
6,
7,
8
General introductions to the book on Painting.
9,
10,
11,
12,
13
The plan of the book on Painting.
14,
15,
16,
17
The use of the book on Painting.
18
Necessity of theoretical knowledge.
19,
20
The function of the eye.
21,
22,
23,
24
Variability of the eye.
25
Differences of perception by one eye and by both eyes.
26,
27,
28,
29
The comparative size of the image depends on the amount of light.
30,
31,
32,
33,
34,
35
. . .