414

The insertion of the leaves.

In the walnut tree the leaves which are distributed on the shoots of this year are further apart from each other and more numerous in proportion as the branch from which this shoot springs is a young one. And they are inserted more closely and less in number when the shoot that bears them springs from an old branch. Its fruits are borne at the ends of the shoots. And its largest boughs are the lowest on the boughs they spring from. And this arises from the weight of its sap which is more apt to descend than to rise, and consequently the branches which spring from them and rise towards the sky are small and slender [20]; and when the shoot turns towards the sky its leaves spread out from it [at an angle] with an equal distribution of their tips; and if the shoot turns to the horizon the leaves lie flat; and this arises from the fact that leaves without exception, turn their underside to the earth [29].

The shoots are smaller in proportion as they spring nearer to the base of the bough they spring from.

[Footnote: See the two sketches on Pl XXVII, No. 4. The second refers to the passage lines 20-30.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

VII * X
Notebooks of Leonoardo da Vinci
VIII: Botany for Painters and Elements of Landscape Painting.
. . .
The relative thickness of the branches to the trunk.
394,
395
The law of proportion in the growth of the branches.
396,
397,
398,
399,
400,
401,
402
The direction of growth.
403,
404,
405,
406,
407
The forms of trees.
408,
409,
410,
411
The insertion of the leaves.
412,
413,
414,
415,
416,
417,
418,
419
Light on branches and leaves.
420,
421,
422
The proportions of light and shade in a leaf.
423,
424,
425,
426
Of the transparency of leaves.
427,
428,
429
The gradations of shade and colour in leaves.
430,
431,
432,
433,
434
. . .