345

Proportions of the arm.

From the tip of the longest finger of the hand to the shoulder joint is four hands or, if you will, four faces.

a b c are equal and each interval is 2 heads.

[Footnote: Lines 1-3 are given on Pl. XV below the front view of the leg; lines 4 and 5 are below again, on the left side. The lettering refers to the bent arm near the text.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

Notebooks of Leonoardo da Vinci
VII: On the Proportions and on the Movements of the Human Figure.
. . .
Relative proportions of the foot and of the face.
325,
326,
327
Proportions of the leg.
328,
329,
330,
331
On the central point of the whole body.
332
The relative proportions of the torso and of the whole figure.
333
The relative proportions of the head and of the torso.
334
The relative proportions of the torso and of the leg.
335,
336
The relative proportions of the torso and of the foot.
337
The proportions of the whole figure.
338,
339,
340,
341
The torso from the front and back.
342
Vitruvius’ scheme of proportions.
343
The arm and head.
344
Proportions of the arm.
345,
346,
347,
348,
349
The movement of the arm.
350,
351,
352,
353,
354
The movement of the torso.
355,
356,
357,
358,
359,
360,
361
The proportions vary at different ages.
362,
363,
364,
365
. . .