36

The comparative size of the image depends on the amount of light.

ON PERSPECTIVE.

The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark. And this happens either because the pupils of the eyes which have rested on this brilliantly lighted white object have contracted so much that, given at first a certain extent of surface, they will have lost more than 3/4 of their size; and, lacking in size, they are also deficient in [seeing] power. Though you might say to me: A little bird (then) coming down would see comparatively little, and from the smallness of his pupils the white might seem black! To this I should reply that here we must have regard to the proportion of the mass of that portion of the brain which is given up to the sense of sight and to nothing else. Or—to return—this pupil in Man dilates and contracts according to the brightness or darkness of (surrounding) objects; and since it takes some time to dilate and contract, it cannot see immediately on going out of the light and into the shade, nor, in the same way, out of the shade into the light, and this very thing has already deceived me in painting an eye, and from that I learnt it.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

35 * 37
Notebooks of Leonoardo da Vinci
I: Prolegomena and General Introduction to the Book on Painting.
. . .
16,
17
The use of the book on Painting.
18
Necessity of theoretical knowledge.
19,
20
The function of the eye.
21,
22,
23,
24
Variability of the eye.
25
Differences of perception by one eye and by both eyes.
26,
27,
28,
29
The comparative size of the image depends on the amount of light.
30,
31,
32,
33,
34,
35,
36,
37,
38,
39